Gewählter Suchbegriff: noten ⇒ Gefundene Produkte: mehr als 1000

Das Stabat Mater ist in seinem Ursprung ein mittelalterliches Gedicht, das die Gottesmutter vor ihrem gekreuzigten Sohn singt. Deshalb wird das Stabat Mater noch heute am Fest der Sieben Schmerzen Mariõ (15.9.) gebetet oder gesungen[...]

J. S. Bach - Johannes-Passion für Solostimmen, Chor und Orchester BWV 245 Klavierauszug

Franz Wohlfahrt (1833-1884) was a violin teacher in Leipzig, Germany. His famous 40 Elementary Studies for Violin, Op. 54 are still widely used by violin and viola students and provide further variety and bowing combinations from[...]

42 Etudes (Caprices) for Violin by Rodolphe Kreutzer have been a core part of teaching repertoire since their publication, and are today perhaps the most common set of studies for intermediate and advanced students of the violin[...]

It is now possible to add the epithet“previously“ to the formulation of these sonatas as “attributed to Bach” in the title of our Urtext edition; today[...]

François Devienne wirkte als Flötist und Fagottist und hinterließ ein reichhaltiges kompositorisches Werk (Opern, Orchester- und Kammermusik). Auch als Lehrer war er bedeutend und unterrichtete am 1795 gegründeten Conservatoire[...]

This much-beloved flute piece is probably an alternative slow movement for Mozart’s Flute Concerto in G major, and in its version with piano accompaniment[...]

In 1849, Schumann gifted chamber music works to three wind instruments: the clarinet with the “Drei Fantasiestücke” op. 73, the horn with the Adagio and Allegro op. 70, and the oboe with[...]

This 'hit' is even popular among learners! Now it opens Henle’s new series of Weber’s works for clarinet and orchestra in piano reduction. This edition includes two separate parts: the urtext[...]

Die neue Reihe Bärenreiter`s Easy Concertos wird fortgesetzt durch drei weitere, leicht spielbare Werke der Geigenliteratur. Die Ausgaben beinhalten die konzertierende Geigenstimme und einen[...]

'Bärenreiters Easy Concertos' - eine neue Reihe mit den meistgespielten kleinen Konzerten für Geiger, die sich erstmals vor Publikum präsentieren wollen. Die Reihe wird eröffnet mit Werken der Komponisten Rieding, Seitz und[...]

Beethoven wrote ten sonatas for violin and piano during a period of only fifteen years (from 1797 to 1812). It is impressive how in this genre he again pursued the principle of finding a new[...]

Grieg’s Third Violin Sonata is one of his major creations and stands alongside the sonatas of Johannes Brahms and César Franck at the pinnacle of late nineteenth century chamber music. One small measure of the work’s renown[...]

'I would gladly have done some more fiddling, but I was accompanied so badly that it gave me the colic.' Thus Mozart, writing to his father on 16 October 1777. He would probably have taken great[...]

Thalia-Fremdsprachen schreibt: Eduard Hanslick, a much feared critic in his time, was not very complimentary following its première: the violin was no longer being played but rather “pulled about, torn asunder, beaten black and blue”. Yet he was not able to stop the triumphal march[...]

– Violinstimme: Die Edition besorgte ein ausgewiesener Mozart-Spezialist, der im Henle Verlag weitere Urtextausgaben von Mozart vorlegte (u.a. sämtliche Sonaten für Klavier und Violine, HN[...]

For the editor of an Urtext edition, Bach’s A minor violin concerto BWV 1041 presents few problems; cleanly-written original parts exist from Bach’s Köthen (or early Leipzig) period. But[...]

Antonín Dvorák’s chamber music output comprises over forty works. That he became known so quickly beyond the borders of Bohemia was due not least to the many discerning music aficionados[...]

Haydn’s concertante works written at the court of the Princes of Esterházy, reflect the skills of individual members of the Esterhazy court orchestra. Thus Haydn created the Violin Concerto[...]

Die Saßmannshaus-Schulen überzeugen durch den fein abgestimmten Aufbau der Lern- und Übeinhalte. Nach dem Einstieg mit leeren Seiten und einfachsten Notenwerten folgt die 'Rufterz' als Basisintervall. Innerhalb des ersten Bandes[...]

In 1849 Schumann endowed three wind instruments with chamber music works: the clarinet with the “Three Fantasy Pieces” op. 73, the horn with the “Adagio and Allegro” op. 70 and the oboe[...]

Based on a novella by the Russian novelist Ivan Turgenev, Ernest Chausson's Poème for violin and orchestra was originally conceived as a symphonic poem. Gradually, it evolved into a character[...]

Ludwig van Beethoven’s two Romances for violin and orchestra in G major op. 40 and F major op. 50 are rewarding solo pieces that demand virtuoso technique and artistic sensitivity. Their simple[...]

The French violin virtuoso Jacques Pierre Joseph Rode (1774-1830) was a favourite pupil of Giovanni Battista Viotti, whose concertos he often performed. Ludwig van Beethoven composed his final Violin Sonata for Rode. These 24[...]

Goethe wrote that after experiencing a Paganini concert he had, 'heard something meteoric, and was unable to understand it'. It was not until late in his career that Paganini became widely known outside his native Italy. He made[...]

Every known source has been examined to produce an urtext edition, complete with preface and editorial notes to explain the work’s complex source situation. No audition candidates who want to flaunt their knowledge of the historical[...]

In 1838 Robert Schumann complained: “The piano is becoming too narrow for me. I often hear in my current compositions a lot of things that I can hardly indicate”. Thus, in 1840, Schumann dedicated himself above all to art[...]

Online-tutorial available at Henle Masterclass Good intentions are simply not good enough (to freely paraphrase Kurt Tucholsky): the arpeggione, a kind of hybrid instrument like a large bowed[...]

Max Reger’s reception of Bach was not limited to the organ and orchestra. Like Bach, Reger wanted to compose sonatas and suites for a solo string instrument that were not merely études, but[...]

Online-tutorial available at Henle Masterclass Along with the Stamitz concerto, Hoffmeister‘s Viola Concerto is the most important audition piece for viola players. Yet, it has been handed down in a complicated source tradition,[...]

Johann Christian Bach's' Concerto in C minor has become one of the most popular viola repertory pieces. The piece is however not by J.C. Bach at all, but rather a well-intentioned fabrication of the Casedesus brothers Henri and[...]

Die Edition Schott spiegelt die ganze Vielfalt der Musik in einer umfassenden Noten-Bibliothek für den Schüler, Amateur- und Profi-Musiker wider. Die Edition Schott bietet Musik von der Renaissance bis zur Moderne, vom Solo-Instrument bis zum Orchester,[...]

Piatti’s Twelve Caprices, op. 25, are the daily bread of all advanced players of the cello: Sir Yehudi Menuhin mentioned them in the same breath with the Bach Suites. Now Henle is presenting[...]