The Red Shoes - The Criterion Collection 4K Ultra HD (Includes Blu-ray) (US Import)

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The Red Shoes - The Criterion Collection 4K Ultra HD (Includes Blu-ray) (US Import)
The Red Shoes, the singular fantasia from Michael Powell and Emeric Pressburger, is cinema’s quintessential backstage drama, as well as one of the most glorious Technicolor feasts ever concocted for the screen. Moira Shearer is a rising star ballerina torn between an idealistic composer and a ruthless impresario intent on perfection. Featuring outstanding performances, blazingly beautiful cinematography by Jack Cardiff, Oscar-winning sets and music, and an unforgettable, hallucinatory central dance sequence, this beloved classic, dazzlingly restored, stands as an enthralling tribute to the life of the artist.Product FeaturesIn the 4K UHD edition: 4K digital transfer from the 2009 restoration, with uncompressed monaural soundtrackIn the 4K UHD edition: One 4K UHD disc of the film presented in Dolby Vision HDR and one Blu-ray with the film and special featuresRestoration demonstration featuring filmmaker Martin ScorseseAudio commentary from 1994 by film historian Ian Christie, featuring interviews with actors Marius Goring and Moira Shearer, cinematographer Jack Cardiff, composer Brian Easdale, and ScorseseA Profile of “The Red Shoes,” a 2000 documentary on the making of the film, featuring interviews with members of the production teamInterview with director Michael Powell’s widow, editor Thelma Schoonmaker Powell, from the 2009 Cannes Film FestivalAudio recordings of actor Jeremy Irons reading excerpts from Powell and screenwriter Emeric Pressburger’s novelization of The Red Shoes and the Hans Christian Andersen fairy tale “The Red Shoes”Publicity stills and behind-the-scenes photosGallery of memorabilia from Scorsese’s collectionThe “Red Shoes” Sketches, a 1948 animated film of Hein Heckroth’s painted storyboards, with the Red Shoes ballet as an alternate angleTrailerPLUS: An essay by critic David Ehrenstein and a description of the restoration by UCLA film archivist Robert Gitt [...]

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